棠真才是最後活下來的那個人。

標題這句話是我參加完楊雅喆導演的座談會後，印象最深刻的話。

導演同時也是編劇的楊導說他平時都是穿著睡衣在家裡工作，但是在寫這部劇本時，為了讓自己更快的沉浸在上等人的思維環境裡，在寫劇本前會特地穿上襯衫、換上皮鞋才開始寫劇本，彷彿這樣的束縛才能幫他從原本的藝術家個性抽離到故事裡上等人的爾虞我詐之中。

而也是為了描繪這個故事裡女人心態的細節，楊雅喆導演特地去讀了張艾嘉、瓊瑤、胡因夢的小說、自傳，唯有像瓊瑤這樣戲劇化的人生以及對女人心思這麼細節的描繪才能替這故事中的角色建立這麼完整深刻的個性。

當設計公司變成過往的傳統產業

人類在第三次工業革命進入二十一世紀後，許多以我們往習以為常的產業步入終點，以往十個人造一台車，現在可能十個人管理造數百萬輛車的自動化工廠，國道的收費員成為歷史名詞，下一代的台灣人只能從歷史課本去知道以前有這個職業。

可是有沒有人想過被視為人類創意產業的設計業也有可能在下一個世紀被下一個工業革命取代?

Incredible beach

The whole night just like a  Hong Kong comedy film with the none sense humor.



Sunday afternoon, it's a lovely sunny day, I promise Maria who is my studio mate to take the picture of her project with her.

"It will cost whole night," she said it a few days ago.

It's totally fine for me, I am willing to do anything that is meaningful to my friends when I am going to down stair to leave my place I meet Di, she just come back and ready to cook curry for dinner tonight.

"I am going to take some picture with Maria, might back late but please leave some dinner for me!!" I still remember what I told her.

But what I do not expect is the curry dinner is not gonna happen tonight...

Berlin Mar.

悉達塔在離開葛溫達後遇見了許多人，也道別了許多人，他微笑著想著：「我在路上遇到的每一個人就像葛溫達，每個人都知道感恩，雖然他們本身才是值得感謝的人，每個人都是謙卑的，每個人都相當友善，樂在服順，很少思考，這些人就像孩子一樣。」
After leaving Govinda, Siddhartha met a lot of people, but also say goodbye to many people, he smiled and thought: "Every person I met on the road like Govinda, everyone knows Thanksgiving, though themselves are the people who deserve thanks to, everyone is humble, everyone is friendly, enjoy to follow, rarely think about, these people just like children. "

出發前特地把德國作家赫曼赫賽的流浪者之歌的中譯本塞進背包那個特別容易拿出來的夾層裡；但我不得不說這本書的內容跟我想像的的確不一樣，可能是對書名有太多的想像，又或許是對德國太多強烈的想像，不過這段話還是讓我印象深刻。
I especially bring the novel named "Siddhartha" by Germany author Herman Hesse into backpacks that are particularly easy to out of the pack when I in the plain; but I have to say that the contents of this book is not what I though, may be right there are too many title imagination, or perhaps too strong imagination to Germany, but these sentence above would still impresses me.

raining Amsterdam

There is keep raining slightly with gender wind in the journey of Amsterdam, but it is doesn't matter for this amazing trip when I walk in the alley. I prefer raining night in the city, to see the wet street reflect windows' light of street store. It's obviously sparse populated in that time and the canal doesn't looks that special anymore when it be compared with this raining night.

First three idea of artwork that can communication with artpiece, audience and artist

Uni-direction communication?

To create an art work that can reactive audience behavior is a simple purpose, the difficult thing is how to make it interesting?

First at all, I consider a very uncomplicated concept, use the audience's route to display the reaction, I build a spiral staircase and hanging many bulbs around it and set sensor in each stair step, when people walk through the stair, a part of bulbs will turn off.

When people keep walking, the light will keep change to effect the route and display a dynamic art piece.

"Do you miss Farnham?"

那天從London回Canterbury時天色早已黑透了，在路上順道去了Sainsbury買了兩瓶可樂，結帳時碰巧遇到Halo，雖然我們一起從Farnham搬到了Canterbury，但他是BA的學生所以通常也不會見到，他用那在Farnham時慣用的熱情跟我打招呼，我們穿過停車場走到緊鄰Great Stour河旁的小路，他往左我往右，我們互道再見後往反方向離開，走了幾步後他叫住我

Halo："Do you miss Farnham?"

我："Yes, I do."